Category: 🎨 Art

  • The Great Pyramid of Giza was completed around 2680 BC and is still going strong almost five millenia later. The Parthenon was errected in 27 BC and is still keepin’ it real more than 20 centuries later. Notre Dame Cathedral was completed in 1330 AD and has been doing its thing without interruption for the past 674 years.

    Back in the day when these sturdy symphonies in stone were built, their intended lifespans were measured not in terms of business cycles but in terms of ages. This was back when people really took pride in their work, or at least the work of their slaves, and designed and built not just to fulfill a temporary business need but to forge lasting tributes to the things that really mattered to them, and in the process created symbols that would survive the centuries.

    It’s odd that modern civilization is nowhere near as good at building things as our ancient and medieval forebears. Today, most new buildings are designed to have functional lifespans of a mere 25 to 100 years.

    The average age of buildings in many cities is plummeting as the old stone stalwarts are torn down or suffer insulting façadectomies, and are replaced with temporary, hastily tossed together squats fashioned of plywood, glass and drywall, rarely designed to outlive their owners.

    In many cities, average architectural lifespans are rapidly descending to the level of human lifespans in Somalia or the Congo. As in those sad, sisphusian societies, when there are no wise elders to provide stability, guidance and a sense of connection to the past, the notion of progress disappears and little lasts or improves from one generation to the next.

    We must stop designing flimsy, temporary structures that are engineered for obsolescence. We must return to the practice of making buildings that outlast us for centuries and get firmly woven into the DNA of our urban environments. Businesses and governments need need to think beyond the immediate, selfish desires of their shareholders and constituents. Corporate entities and their architects are great at thinking big, but they also need to think long.

    Economically and technologically, if not socially, we are advanced enough to build structures that will outlast the pyramids. We should not be repeatedly wasting money, energy and materials building office towers designed to fall apart after 30 years. If every generation left behind useful, sturdy structures for the generations to come, there’d probably be no housing shortage today, and many people would probably feel a greater connection to their environment.

    Watching a beloved building being prematurely smashed into rubble is painful, nasty and bad, and we endured it again and again when making this issue. None of the magnificent buildings demolished or gutted while we were making this issue had a chance to celebrate their 100th birthday. Anything we missed or failed to take decent pictures of is gone, though definitely not forgotten.

    Ninj, Dying Young, Infiltration, Issue 23, May 2004

  • Finance is everywhere in the cultural imaginary; it represents itself largely on its own terms, a set of appearances that do not correspond to its practise.

    John MacIntosh, Finance Aesthetics
  • Why would I care? I don’t consume the method, I consume the product.

    xQc
  • Cory Doctorow on AI Generated Art

    Today I read Cory Doctorows latest post, Why I Don’t Like AI Art, and really appreciated his approach to defining art and how the use of AI tools diluted the meaning within works of art. …the prompt given to an…

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  • I like to think (and
    the sooner the better!)
    of a cybernetic meadow
    where mammals and computers
    live together in mutually
    programming harmony
    like pure water
    touching clear sky.

    I like to think
    (right now, please!)
    of a cybernetic forest
    filled with pines and electronics
    where deer stroll peacefully
    past computers
    as if they were flowers
    with spinning blossoms.

    I like to think
    (it has to be!)
    of a cybernetic ecology
    where we are free of our labors
    and joined back to nature,
    returned to our mammal
    brothers and sisters,
    and all watched over
    by machines of loving grace.

    Richard Brautigan, All Watched Over By Machines Of Loving Grace
  • I will talk to you of art,
    For there is nothing else to talk about,
    For there is nothing else.

    Life is an obscure hobo,
    Bumming a ride on the omnibus of art.

    Maxwell H. Brock